Some new reviews are up on our review page for Some Kind of Strange..
Ear Pollution.com describes it as "aural opium", "the love children of Delerium and Nine Inch Nails who have been abandoned in the center of a Middle Eastern Bazaar.
Some new reviews are up on our review page for Some Kind of Strange..
Ear Pollution.com describes it as "aural opium", "the love children of Delerium and Nine Inch Nails who have been abandoned in the center of a Middle Eastern Bazaar.
We have some reviews of Chasing the Ghost, thanks so much to all of the reviewers involved.
kaRIN and Static have been busy since the 1997 release of their remix and cover album, Distort, mainly keeping their chops up with subsumed work with other bands as they figured out the details of making their own way in the music world (hence the release of Chasing the Ghost on their own label). And maybe during these external projects they got some of the noise out of their systems. Distort pointed towards a noisier future, a structure laden with wild feedback and the distorted snap of uncontrolled machinery. Surprisingly, Chasing the Ghost ably steers away from that end, gliding towards a more introspective sound, a more exotic exploration of empty spaces within. There is a haunted quality to these songs, a yearning in kaRIN's voice that is echoed by the dark instrumentation swirling around her. When the machinery does erupt in savagery (as it does on their sublime cover of Jefferson Airplane's chestnut "White Rabbit"), you realize that their restraint is self-inflicted--their directive one of introspection.
Maybe what I've been chasing is unobtainable--it may never exist. As kaRIN sings on the title track, "I've come so near and yet so far." Maybe it is time to stop running, time to lay down here and disappear into myself to find the source of want. Chasing the Ghost is an angelic accompaniment into the dark heart of your obsessions. Take this beacon with you.
-Mark Teppo